(File photo)
Paper umbrella making is a true handicraft. Even today, Lin Hsiang-lin uses only one simple machine and it is foot-powered. In other times, four workers were involved. One made the frame, one applied the paper, a third applied the wood oil coating to provide waterproofing and the last added the final touches. Lin learned umbrella handicrafting from his uncle, who in turn had been taught by masters in the city of Swatow on the mainland. Today Lin performs all the operations. His wife is his only regular assistant. Others may be hired if umbrella demand warrants. But Lin has no interest in mass production, even though the market might be greatly enlarged. The processes shown on picture 1: clockwise from top left: Splitting bamboo to make the ribs; joining the ribs of partially assembled umbrella with twine; using a coir brush to smooth out the creases of the finished product; and inspecting the frames after the initial stitching. Picture 2: top, buttresses are crisscrossed with twine drawn through holes to provide added reinforcement; bottom, several coats of oil are required to waterproof the paper umbrella. Japanese men like their umbrellas black. Soot is added to the final coats of wood oil to produce the rich and shining blackness desired.
(File photo)
Ladies like colorful umbrellas. The specially made paper comes in a variety of hues. Below clockwise, from top left: two colors are attractively alternated; paper maker proudly imprints his trade name on the product that will go into umbrellas; colors of top and rim are matched with a broad alternate band of another color in between; the varicolored effect; rattan wrapping provides a grip for handle.